gradiva
Slika 1: William Henry Fox Talbot, 1851, kalotipija (pridobljeno s
<https://commons.wikimedia.org/wiki/File:Great_Exhibition,_View_of_
Eastern_Nave_by_HF_Talbot,_1851.jpg> [10. 8. 2021]).
Slika 2: Pietro Antonio Martini, Exposition au salon de 1787, 1787, jedkanica (pridobljeno s <https://commons.wikimedia.org/wiki/File:Sa-lon_du_Louvre_1787.jpg> [10. 8. 2021]).
Slika 3: Fran Vesel, Ena od skupinskih razstav v paviljonu Riharda Jakopiča, 1910 (pridobljeno s <http://dlib.si/details/URN:NBN:SI:img-L-1NO67R2> [10. 8. 2021]).
Slika 4: Robert Smithson, Spiral hill, 1971, premer dna: 22,9 m, Holt/
Smithson Foundation (pridobljeno s <https://holtsmithsonfoundation.org/
broken-circlespiral-hill> [10. 8. 2021]).
Slika 5: Robert Smithson, Broken circle, 1971, premer: 42,6 m, širina kanala: 3,6 m, globina kanala 3–4,5 m, Holt/Smithson Foundation (prido-bljeno s <https://holtsmithsonfoundation.org/broken-circlespiral-hill>
[10. 8. 2021]).
Slika 6: (objavljeno v Benjamin IVES GILMAN, Museum fatigue, The scientific monthly, 2/1, januar 1916, str. 64.)
Slika 7: (objavljeno v Benjamin IVES GILMAN, Museum fatigue, The scientific monthly, 2/1, januar 1916, str. 68.)
Slika 8: (objavljeno v Benjamin IVES GILMAN, Museum fatigue, The scientific monthly, 2/1, januar 1916, str. 67.)
Slika 9: (pridobljeno s <http://architecture-history.org/architects/archi-tects/MIES%20VAN%20DER%20ROHE/objects/1968,%20Neue%20 Nationalgalerie,%20Berlin,%20Germany.html> [10. 8. 2021]).
Slika 10: (pridobljeno s http://architecture-history.org/architects/archi-tects/MIES%20VAN%20DER%20ROHE/objects/1968,%20Neue%20 Nationalgalerie,%20Berlin,%20Germany.html> [10. 8. 2021]).
88 Slika 11: Berenice Abbott, Frederick Keisler seated in the foreground of Peggy Guggenheim’s gallery, 1942, (pridobljeno s <https://glasstire.
com/2018/01/13/new-year-new-eyes-same-art/> [10. 8. 2021]).
Slika 12: Herbert Bayer, Extended field of vision, 1935 (pridobljeno s
<https://underprospective.com/057> [10. 8. 2021]).
Slika 13: Alexander Paul Walther, View toward “northeast” corner of El Lissitzky’s Raum für konstruktive kunst, 1926, Los Angeles, Getty Rese-arch Institute (pridobljeno s <http://demonstrationsraum.de/publikation--annette-tietenberg> [10. 8. 2021]).
Slika 14: Roger Schall, Untitled (International surrealist exhibition, Paris), 1938, srebro želatinasti print, 22.1 × 21.1 cm, MoMA (pridoblje-no s <https://www.moma.org/collection/works/289771?sov_referrer=ar-tist&artist_id=62329&page=1> [10. 8. 2021]).
Slika 15: John D. Schiff, Installation view of First papers of surrealism exhibition, showing Marcel Duchamp’s His twine, 1942, srebro želatinasti print, Philadelphia Museum of Art (pridobljeno s <https://www.tate.org.
uk/research/publications/tate-papers/22/duchamp-childhood-work-and--play-the-vernissage-for-first-papers-of-surrealism-new-york-1942> [10.
8. 2021]).
Slika 16: Showroom of the Museum of one painting (pridobljeno s
<https://kulturologia.ru/blogs/260520/46512/> [10. 8. 2021]).
Slika 17: Film und foto exhibition, Stuttgart, 1929. Installation view of room 4, the Soviet room, 1929, The Getty Research Institute, Los Angeles (pridobljeno s <https://unframed.lacma.org/2013/05/14/revisiting-the-fi-fo-russian-room-in-augmented-reality> [10. 8. 2021]).
Slika 18: Poster for Film und foto, 1929, offset litografija, 84 x 58.5 cm, The Museum of Modern Art, New York. (pridobljeno s <https://www.
moma.org/interactives/objectphoto/exhibitions/5.html> [10. 8. 2021]).
Slika 19: Alfred Stieglitz, Little galleries - 1906, 1906 (pridobljeno s
<https://commons.wikimedia.org/wiki/File:Little_Galleries_-_1906.
jpg?uselang=fr> [10. 8. 2021]).
Slika 20: Samuel Gottscho, Installation view of the exhibition, “Road to victory.”, 1942, Photographic Archive. The Museum of Modern Art Archives, New York (pridobljeno s <https://www.moma.org/calendar/
exhibitions/3038?installation_image_index=12> [10. 8. 2021]).
89 Slika 21: Model of installation for the exhibition, “Road to victory.”,
1942, Photographic Archive. The Museum of Modern Art Archives, New York. (pridobljeno s <https://www.moma.org/calendar/exhibiti-ons/3038?installation_image_index=3> [10. 8. 2021]).
Slika 22: Samuel Gottscho, Installation view of the exhibition, “Road to victory.”, 1942, Photographic Archive. The Museum of Modern Art Archives, New York (pridobljeno s <https://www.moma.org/calendar/
exhibitions/3038?installation_image_index=23> [10. 8. 2021]).
Slika 23: Rolf Petersen, Installation view of the exhibition, “The family of man”, 1955, Photographic Archive. The Museum of Modern Art Archi-ves, New York (pridobljeno s <https://www.moma.org/calendar/exhibiti-ons/2429?installation_image_index=46> [10. 8. 2021]).
Slika 24: Ezra Stoller, Installation view of the exhibition, “The family of man.”, 1955, Photographic Archive. The Museum of Modern Art Archi-ves, New York (pridobljeno s <https://www.moma.org/calendar/exhibiti-ons/2429?installation_image_index=7> [10. 8. 2021]).
Slika 25: Rolf Petersen, Installation view of the exhibition, “The Family of Man.”, 1955, Photographic Archive. The Museum of Modern Art Archives, New York (pridobljeno s <https://www.moma.org/calendar/
exhibitions/2429?installation_image_index=78> [10. 8. 2021]).
Slika 26: Robert Smithson, Yucatan mirror displacements (1-9), 1969, devet kromogenih printov kromogenih diapozitivov, 61 × 61 cm (vsak), Solomon R. Guggenheim Museum, New York (pridobljeno s <https://
www.isabellashields.com/meaningless> [10. 8. 2021]).
Slika 27: OHO Group, David Nez, Summer Projects, Mirrors, 1969.
srebro želatinasti print, 14 × 8.9 cm, The Museum of Modern Art Archi-ves, New York (pridobljeno s <https://post.moma.org/from-the-moma-ar-chives-works-and-materials-by-oho-group/> [10. 8. 2021]).
Slika 28: James Mathews, Installation view of the exhibition, “Informati-on”, 1970, Photographic Archive, The Museum of Modern Art Archives, New York (pridobljeno s <https://www.moma.org/calendar/exhibiti-ons/2686?installation_image_index=19> [10. 8. 2021]).
Slika 29: William Anastasi, Untitled (West wall, Dwan main gallery), 1967, Archives of American Art, Smithsonian Institution (pridobljeno s
<https://editions.lib.umn.edu/panorama/article/amateurism-introduction/
walk-with-me/> [10. 8. 2021]).
90 Slika 30:William Anastasi, Untitled (Continuum), 1970, fotografija na aluminiju, 152.4 × 121.92 × 0.32 cm, The Museum of Contemporary Art, Los Angeles (pridobljeno s <https://www.moca.org/collection/work/
untitled-continuum> [10. 8. 2021]).
Slika 31: William Anastasi (foto: François Doury), Passion, 1967, foto-mural, oder in borova deska, 152,5 × 365,8 cm (foto-mural), 91,4
× 426,7 × 61 cm (oder in borova deska), Galerie Jocelyn Wolff, Paris (pridobljeno s <https://dailyartfair.com/exhibition/4036/william-anastasi--francisco-tropa-christoph-weber-group-show-galerie-jocelyn-wolff> [10.
8. 2021]).
Slika 32: Thomas Struth, Audience 4, 2004, kromogeni print, 179,5 × 337 cm. (pridobljeno s <https://www.thebroad.org/art/thomas-struth/audien-ce-4-galleria-dellaccademia-florenz> [10. 8. 2021]).
Slika 33: Thomas Struth, Art institute of Chicago II, 1990, kromogeni print, 180 × 215 cm (pridobljeno s <https://www.artsy.net/article/phillips--from-the-catalogue-thomas-struth-lot-67> [10. 8. 2021]).
Slika 34: Louise Lawler, Big (adjusted to fit), 2002/2003/2016, samole-pilni material na steni, spremenljive mere glede na velikost in razmerje stene, (pridobljeno s <https://www.moma.org/collection/works/204434>
[10. 8. 2021]).
Slika 35: Fabian Knecht, Isolation (52°33’44.1”N 14°03’12.8”E), 2019 (pridobljeno s <https://www.fabianknecht.de/works/isolation-523344-1n-140312-8e> [10. 8. 2021]).
Slika 36: Fabian Knecht, Isolation (52°33’44.1”N 14°03’12.8”E), 2019 (pridobljeno s <https://www.fabianknecht.de/works/isolation-523344-1n-140312-8e> [10. 8. 2021]).
Slika 37: Fabian Knecht, Isolation (52°33’44.1”N 14°03’12.8”E), 2019 (pridobljeno s <https://www.fabianknecht.de/works/isolation-523344-1n-140312-8e> [10. 8. 2021]).
Slike 38–56: Bor Cvetko, 2021, osebni arhiv.
Slike 57–76: Bor Cvetko, 2021, inkjet print, 35 × 50 cm, osebni arhiv.
Slike 77–80: Bor Cvetko, 2021, inkjet print, 35 × 25 cm, osebni arhiv.
Slike 81–86: Bor Cvetko, 2021, inkjet print, 42 × 59,4 cm, osebni arhiv.
Sliki 87, 88: Bor Cvetko, 2021, inkjet print, 29,7 × 21 cm, osebni arhiv.